Suzanne Eisendieck Art

Ghanaian 20000 Cedi Note, Oil On Canvas, 48" Round Jenna Lash specializes in global currency featuring animals, portraiture in a neo pointillist style

Pinchus Kremegne (French 1890-1981) Oil on Canvas Still Life at the Dinner Table An oil on canvas still life painting of still life of crabs at the dinner table by French artist, ...

No Foe Shall Gather Our Harvest Australian 10 Dollar Note, Acrylic On Canvas, 60" x 48" Jenna Lash specializes in global currency featuring animals, portra...

Tranquil seascape with a large flock of migrating Redhead ducks in flight by California artist Dan Findlay (American, 20th Century). Signed "Dan Findlay" lower right. Presented in a ...

Suchitra Bhosle's "Dappled Light" is an original, hand made oil painting that depicts a man napping in the sun while leaning against a tree with sun streaming through the foliage. ...

Girl with fruit. Market. Year 1958. Signed Sergio Cirno Bissi (Carmignano, 1902 - Florence, 1987). The very colorful and expressive painting is created...

Vintage still life oil painting on canvas of a bouquet of orange roses in a light blue vase. Signed by artist Suzanne in lower left. Dimensions 32” x 1.5” x 44” / Sans Frame – 24” x 36...

For sale is a beautiful small portrait by the Italian artist Giuseppe Giardinello, whose life spanned from 1887 to 1920. This work of art is a remarkable representation of Giardinell...

*PLEASE NOTE UK BUYERS WILL ONLY PAY 5% VAT ON THIS PURCHASE. Tête de Femme Blonde by Pierre-Auguste Renoir (1841-1919) Oil on canvas 26.1 x 19 cm (10 ¹/₄ x 7 ¹/₂ inches) Signed upp...

Oil on canvas The Brooklyn Bridge in New York signed by the French painter Suzanne Duchamp dating from the 50s. Coming from a family of artists, she...

Veranda, window, summer,flowers GLEB SAVINOV (Charkev, 1915 – St. Petersburg, 2000) Works by Gleb Savinov can be found in various private collections in Europe, Japan, United States and in the following museums: Moscow, Tret’jakov Gallery Moscow, The Ministry of Culture Collection Moscow, Central Museum of the Revolution St. Petersburg, Russian State Museum St. Petersburg, History Museum Tblisi, Fine Arts Museum Tambov, Fine Arts Museum Irkutsk, Fine Arts Museum London, National Gallery Manchester, Fine Arts Museum Dresden, National Gallery Bratislava, National Gallery Tokyo, Contemporary Art Gallery Osaka, Soviet Art...

Adriana Pincherle, (1905, Rome - 1996, Florence). A lady with a turban and green shadows in a landscape. Italian female painter, active in Rome and from 1943 in Florence. Painting signed and dated lower right: Adriana Pincherle. 1973. Oil painting on canvas. The simple composition, which represents a woman from behind, bears the influence of Matisse's avant-garde style, with bold and refined color combinations. The shape is created with color, creating an almost surreal and highly expressive effect. The painter once said: "My painting has always been figurative, not realistic. In this sense I felt very similar to the Informal movement, which, fundamentally, pushed my passion for color to the extreme." FREE SHIPPING in Italy and Europe Artist Biography: Pincherle Adriana Rome 25 December 1905 - Florence 8 January 1996 Adriana was born in Rome on 25 December 1905, into a family in which two cultures were intertwined: the Jewish one of her father, the engineer Carlo Pincherle, of Venetian origins and in love with painting, and the Catholic one of her mother, Isa di she. De Marsanich, a noble but decayed Hungarian. Adriana is the eldest child and two years older than her brother Alberto, known to the literary world under the pseudonym Alberto Moravia As Pincherle herself says about her, as a child she spent hours admiring her father who painted watercolours, and it was perhaps then that her interest in drawing and above all her particular sensitivity towards color was born. Thus, having completed her classical studies, she began to attend the "ladies" atelier of the engraver Alfredo Petrucci and the free nude courses at the Academy, where she met Mimmo Spadini and Scipione, and came into contact with Roman art. In 1931 she made her debut at the collective "First Roman exhibition of female art" at the "Galleria di Roma", while the following year, at the same gallery, she exhibited a solo show together with Corrado Cagli, already attracting the attention of critics, famous comment by Longhi, cited several times by Pincherle herself, who prefers the "sissy" between the two artists. As evidence of the results achieved by Adriana since her first works, we remember that among her works presented in 1932 there was also the famous "Standing Self-Portrait", now in the Uffizi Pincherle's growth passes through places and periods common to both the Roman School and the school of painters of the via Cavour group (Mafai, Raphaël, Scipione), with tangents and deviations, but his pictorial research arrives at original solutions independent of any label . Fundamental to the maturation of her art was her stay in Paris in 1933, in which Pincherle admired and studied closely the Fauves, Renoir and in particular Matisse. In the same year she exhibited for the first time in Florence at the Sala d'arte delle Nazioni with Milena Barilli...